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My recent work reflects a very conscious effort to explore new approaches to style, concepts, techniques and personal expression. After 40 odd years of experience, I continue to pursue the freedom To explore new visual opportunities without the attendant fear of Losing my identity as a painter with a “comfortable” visual vocabulary. I now find myself exploring a much broader spectrum of creative possibilities that inspire the paintings I have submitted. I paint on the floor which has given me a keen sensitivity to the canvas. I initially apply rapid and spontaneous brush strokes of Thick translucent paint that reveals the texture of the brush and canvas itself. This brush work keeps me in constant touch with the canvas. Working from all sides and sometimes within the canvas Classical or Operatic music is always playing during these painting experiences. “Blue Staccato”, for example, is meant to expose the impact of music as an intentional point of departure for executing the final composition. Similarly, “Icons” is intended to give the viewer an opportunity to experience the interplay of color, light, and motion as a translation of the music that informs the painting. As I approach the final stages of the painting’s personality I “edit” Areas with the brush that then allows a clearer understanding of the work. If my paintings are at all successful, the issues and approach to process described in this statement will become self evident to the viewer. Please click on any image to view larger |
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Enigma Variations (2010)Acrylic on canvas
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Study for Adagio Presto (2010)Acrylic on poster board |
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SoloAcrylic on Canvas |
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Eroica (2010)Acrylic on Canvas
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Five Overtures (2010)Acrylic on canvas |
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Firebird RedAcrylic on Canvas.(2008)
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Crescendo (2009)Acrylic on Canvas. 84" x 70"
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